期刊论文

中文

黄钟：武汉音乐学院学报

1003-7721

2011

3

43-51

10.3969/j.issn.1003-7721.2011.03.006

2009年教育部人文社科项目(09YJC760019)

本校为第一机构

对音乐史事＂过程＂、＂环节＂和＂细部＂的考量与描述,是近年来中国音乐史学的发展趋势之一。随着音乐史学研究个案的密集、深入,以及周边交叉学科的发展,对于唐宋音乐史领域中诸如＂音乐文化转型＂等总体性认识,尚需通过多视角、切片式的细致观察与分析,才能了解其动态过程与渐变机制。文章以唐宋宫廷音乐表演实践的生成-变迁机制为对象,从社会史、制度史、型态学的角度,探讨在＂功成作乐＂和＂礼崩乐坏＂的音乐实践发展的两端,影响宫廷音乐表演实践发生变迁、宫廷音乐文化发生转型的制度因素,进而对音乐制度在音乐文化转型研究、音乐史阐释方面的价值,提出了个人的看法。

That to consideration and describe the ＂process＂,＂link＂ and ＂details＂ of music history is one of the development trend of Chinese music historiography in recent years.Along with the research cases increased and in-depth in music historiography,as well as the devlopment of interdisciplinary cross,the author thought that to learn the dynamic process and gradual change system such as the court music cultural transformation in Tang and Song dynasties should be through the multiple-perspective and the careful observation and analysis.Taken the...