期刊论文

中文

黄钟：武汉音乐学院学报

1003-7721

2011

4

168-175,183

10.3969/j.issn1003-7721.2011.04.023

本校为第一机构

在韩国音乐史中首次提到正声与中声的文献史料为《高丽史.乐志》。其中记载,正声与中声的出现始于北宋徽宗时期的大晟雅乐,原是指音高不同的两种音乐或者乐器,但韩国音乐学界所探讨的大晟雅乐正声与中声是按照钟磬（编钟和编磬）的数量（16和12）来分的,并且仅关注了有关音域方面的问题。因此,为了正确的了解有关韩国音乐史中所出现的正声与中声,文章拟对北宋徽宗时期的大晟雅乐中出现的正声与中声进行考察。

That the first time to mention the Zhengsheng and Zhongsheng in the historical literature was the Goryeosa or History of Goryeo in the Korean music history.Both Zhengsheng and Zhongsheng appeared firstly in Dasheng yayue in the periods of Song Dynasty Emperor Huizong,originally refers to two kinds of music or musical instruments with different pitches;however,the Zhengsheng and Zhongsheng for the scholars of Korean music field to discusse were distinguished according to the numbers of the bell set（16 and 12）,it related only to the issue of ra...