期刊论文

中文

南昌高专学报

1008-7354

2007

5

41-43

10.3969/j.issn.1008-7354.2007.05.014

本校为第一机构

中国古典美术的发展大致可以说到了唐代,才真正摆脱了实用功利性的束缚,才真正完成了审美性的革命,成为纯粹审美的对象.无论是雕塑、绘画,还是工艺美术,都取得了超越前代的成就:一是宗教画出现了一代宗师吴道子;二是世俗人物画取得突破性进展;三是金碧山水画突现异彩;四是水墨山水画异军突起.唐代以后中国美术基本上没有脱离唐代美术的规范,继续沿着唐代审美性的道路发展.

This paper discusses the mature aesthetics at the Tang Dynasty, which demonstrates the unprecedented achievements in sculpture, painting and technological fine arts, with the examples of Wu Daozi＇s religious painting, the breakthrough of secular painting, brilliant gold and bluish landscape painti...