期刊论文

On the Myth of Picasso＇s 3-dimentional Painting

中文

汉江师范学院学报

2096-3734

2010

30

2

52-57

10.3969/j.issn.1008-6072.2010.02.014

本校为第一机构

巴勃罗·毕加索的绘画方法,彻底打破了自意大利文艺复兴之始的五百年来透视法则对画家的限制.他通过对东方文化的汲取,把东方绘画中的散点透视,正面律和原始思维中完整性思维和象征性思维等呈现到同一个画面时,就产生了立体主义的表现形式,从而掀起了20世纪现代主义绘画的新篇章.

Picasso＇s painting method had broken the limit of perspective law on painters from Italian renaissance. Hehad, through absorbing oriental culture, shown scattered perspective, front law, whole thinking and symbolic thinking of primitive thinking on the same picture to produce 3-dimentional form, which started the new ...