期刊论文

中文

华中师范大学学报(人文社会科学版)

1000-2456

2001

40

01

82-87

10.3969/j.issn.1000-2456.2001.01.013

本校为第一机构

:“文人画”作为一种绘画艺术形式 ,或者一种绘画美学思想 ,自宋代以后在中国传统画坛一直操执牛耳 ,充当盟主 ,很大程度上取决于文人士大夫的审美价值取向 ,本文通过从审美创造和艺术风格入手的“逸”到转变和扩展为人生态度和精神境界层面的“逸”的分析 ,着重阐述了“文人画”审美价值取向的主调——“逸格”境层的创构和审美追求

The scholars' drawing, as a form of picture art, or a kind of aesthetic thought in art has its leading position in the field of Chinese traditional art since Song Dynasty. And the scholars' drawing is mainly determined by the aesthe tic orientation of the scholars then. Through the analysis of the development of Yi——the highest state of art, this paper expounds that the main tone of the scholars' drawing's aesthetic orientation——t...